"Bellini: I puritani, Act II: "O rendetemi la speme" (Elvira, Giorgio, Riccardo)" by Vincenzo Bellini, Natalie Dessay, Franck Ferrari, Matthew Rose, Evelino Pidò, Concerto Köln was released on February 26, 2021. The duration of Bellini: I puritani, Act II: "O rendetemi la speme" (Elvira, Giorgio, Riccardo) is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Bellini: I puritani, Act II: "O rendetemi la speme" (Elvira, Giorgio, Riccardo)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Natalie Dessay à l'opéra". In this album, this song's track order is #21. Bellini: I puritani, Act II: "O rendetemi la speme" (Elvira, Giorgio, Riccardo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bellini: I puritani, Act II: "O rendetemi la speme" (Elvira, Giorgio, Riccardo) by Vincenzo Bellini, Natalie Dessay, Franck Ferrari, Matthew Rose, Evelino Pidò, Concerto Köln having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Puritani / Act 1: A te, o cara | Vincenzo Bellini, Luciano Pavarotti, Nicolai Ghiaurov, Gian Carlo Luccardi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 86 BPM | ||
La Sonnambula / Act 1: Elvino! E me tu lasci? | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | C Major | 1 | 8B | 164 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 2: "Oh! rimembranza!" | Vincenzo Bellini, Cecilia Bartoli, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | F Minor | 2 | 4A | 68 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM | ||
Il Pirata, Act I: Sventurata, anch'io delirio | Vincenzo Bellini, Felice Romani, Marina Rebeka, Sonia Fortunato, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM |
Section: 0.7571508884429932
End: 0.7630152702331543