"Two Studies, Op. 38: No. 1, Folk Tune - Due-Art 0333" by Eugene Goossens, Peter Phillips was released on April 2, 2024. The duration of Two Studies, Op. 38: No. 1, Folk Tune - Due-Art 0333 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Two Studies, Op. 38: No. 1, Folk Tune - Due-Art 0333's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Passages. Heritage Brahms, Tchaikovsky & Mozart". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Two Studies, Op. 38: No. 1, Folk Tune - Due-Art 0333 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Two Studies, Op. 38: No. 1, Folk Tune - Due-Art 0333 by Eugene Goossens, Peter Phillips having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ginastera: Estancia: Wheat Dance | Alberto Ginastera, London Symphony Orchestra, Eugene Goossens | G Major | 0 | 9B | 136 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, Royal Philharmonic Orchestra, Eugene Goossens | F Major | 2 | 7B | 82 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | D Major | 3 | 10B | 169 BPM | ||
5 Impressions of a Holiday, Op. 7: No. 3, The Water Wheel (Version for Flute, Cello & Piano) | Eugene Goossens, Meininger Trio | F Minor | 1 | 4A | 119 BPM | ||
Messiah (HWV 56): Pt. 2, no. 33. Lift Up Your Heads, O Ye Gates | George Frideric Handel, Eugene Goossens, Sir Thomas Beecham, Royal Philharmonic Orchestra, The Jonathan Griffith Singers, National Youth Choir Of Great Britain, Jonathan Griffith | F Major | 2 | 7B | 83 BPM | ||
Morceaux de fantaisie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 0 | 6A | 112 BPM | ||
Symphony No. 2, Op. 62: III. Scherzo Interlude. Giocoso | Eugene Goossens, Andrew Davis, Melbourne Symphony Orchestra | B Minor | 1 | 10A | 119 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | Dâ™ Major | 0 | 3B | 77 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | F Major | 0 | 7B | 105 BPM |
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