Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra, Bolshoi Theatre Choir, Taras Shtonda, Ekaterina Morozova, Valery Gilmanov, Vadim Lynkovsky, Aleksandra Durseneva's 'Ruslan and Lyudmila, Op. 5, Act V: Kogo Nam Bogi Shlyut' had a release date set for April 1, 2004. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra, Bolshoi Theatre Choir, Taras Shtonda, Ekaterina Morozova's "Glinka: Ruslan and Lyudmila" album is number 15 out of 38. On top of that, Netherlands appears to be the country where this track was created. Ruslan and Lyudmila, Op. 5, Act V: Kogo Nam Bogi Shlyut is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ruslan and Lyudmila, Op. 5, Act V: Kogo Nam Bogi Shlyut by Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra, Bolshoi Theatre Choir, Taras Shtonda, Ekaterina Morozova, Valery Gilmanov, Vadim Lynkovsky, Aleksandra Durseneva to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Mazurka in F Major (1835) | Mikhail Glinka, Inga Fiolia | F Major | 0 | 7B | 164 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Pièces lyriques, Op. 54: IV. Notturno | Edvard Grieg, Mara Dobresco | C Major | 0 | 8B | 69 BPM | ||
Die Zauberflöte, K. 620: Ach, ich fühl's, es ist verschwunden (Arr. Spindler for Oboe and Piano) | Wolfgang Amadeus Mozart, Albrecht Mayer, Fabian Müller | C Minor | 5 | 5A | 117 BPM | ||
Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | Zdeněk Fibich, Balazs Szokolay | D♭ Major | 0 | 3B | 133 BPM | ||
Grand Sextet in E-Flat Major: III. Finale. Allegro con spirito | Mikhail Glinka, Saulius Sondeckis, Igor Uryash, St. Petersburg Camerata | E♭ Major | 2 | 5B | 116 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Paganini: Cantabile in D Major, Op. 17 | Niccolò Paganini, Vilde Frang, Michail Lifits | A Major | 1 | 11B | 109 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM |