On 1998, the song "Set It Off (feat. Queen Latifah & Organized Noize)" was released by Andrea Martin, Queen Latifah, Organized Noize. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "The Best Of Me". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. In terms of popularity, Set It Off (feat. Queen Latifah & Organized Noize) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Set It Off (feat. Queen Latifah & Organized Noize) by Andrea Martin, Queen Latifah, Organized Noize having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estudiantina, Waltz, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
Guntram - Opera in 3 Acts: Act I: Scene 3 | Richard Strauss, Andrea Martin, Alan Woodrow, Ivan Konsulov, Elisabeth-Maria Wachutka, Enrico Facini, Ute Trekel-Burckhardt, Jinho Choi, Matthias Heubusch, Tomasz Kaluzny, Manfred Bittner, Gustav Kuhn | C Major | 1 | 8B | 85 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 3. Con moto moderato | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Joseph Haydn, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | G Major | 2 | 9B | 141 BPM | ||
Hänsel und Gretel: Children's Prayer - Instrumental | Engelbert Humperdinck, Andre Kostelanetz, New York Philharmonic, Andre Kostelanetz & His Orchestra | D Major | 1 | 10B | 81 BPM | ||
La Bohème / Act 4: "Oh Dio! Mimì!" | Giacomo Puccini, Gianni Maffeo, Mirella Freni, Luciano Pavarotti, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 108 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Joseph Calleja, Aleksandra Kurzak, Orchestre de la Suisse Romande, Marco Armiliato | C Major | 2 | 8B | 123 BPM | ||
Paradis: Sicilienne | Maria Theresia von Paradis, Samuel Dushkin, Itzhak Perlman | E♭ Major | 1 | 5B | 88 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 18 - Live At Teatro Comunale, Ferrara / 2010 | Sergei Rachmaninoff, Yuja Wang, Mahler Chamber Orchestra, Claudio Abbado | D♭ Major | 0 | 3B | 81 BPM | ||
Carmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM |
Section: 0.6802539825439453
End: 0.6888628005981445