"Mozart: Die Zauberflöte, K. 620, Act 2: "Ach, ich fühl's, es ist verschwunden!" (Pamina)" by Wolfgang Amadeus Mozart, Lucia Popp, Bavarian Radio Symphony Orchestra, Bernard Haitink was released on 1981. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 17 out of 59. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Mozart: Die Zauberflöte, K. 620, Act 2: "Ach, ich fühl's, es ist verschwunden!" (Pamina) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Die Zauberflöte, K. 620, Act 2: "Ach, ich fühl's, es ist verschwunden!" (Pamina) by Wolfgang Amadeus Mozart, Lucia Popp, Bavarian Radio Symphony Orchestra, Bernard Haitink to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. Recitativo Susanna, Figaro "Cosa stai misurando" | Wolfgang Amadeus Mozart, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs | A Minor | 1 | 8A | 101 BPM | ||
Le Nozze di Figaro, K. 492: Atto quarto. Scene 11-14. N.29 Finale Cherubino, la Contessa travestite, il Conte, Susanna, Figaro "Pian pianin le andrò" | Wolfgang Amadeus Mozart, Angelika Kirchschlager, Concerto Köln, Lorenzo Regazzo, Patrizia Ciofi, René Jacobs, Simon Keenlyside, Véronique Gens | D Major | 2 | 10B | 167 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Ein Mädchen oder Weibchen" | Wolfgang Amadeus Mozart, Michael Kraus, Lotte Leitner, Andreas Schmidt, Wiener Philharmoniker, Sir Georg Solti | C Major | 2 | 8B | 134 BPM | ||
Le nozze di Figaro, K.492 / Act 4: “Ecco qui la mia Susanna” | Wolfgang Amadeus Mozart, Thomas Hampson, Christiane Karg, Luca Pisaroni, Angela Brower, Sonya Yoncheva, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 67 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht (Live) | Gustav Mahler, Bernarda Fink, Bavarian Radio Symphony Orchestra, Mariss Jansons | D♭ Major | 0 | 3B | 128 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Seht doch! Mit gold'nem Geweih | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
Prodaná Nevesta (The Bartered Bride): Kdybych se co takového (Should I ever happen to learn) (Act 1) | Bedřich Smetana, Lucia Popp, Munich Radio Orchestra, Stefan Soltesz, Muenchner Rundfunkorchester | D♭ Major | 1 | 3B | 103 BPM | ||
Mozart: Die Entführung aus dem Serail, K. 384, Act 1 Scene 2: No. 2, Lied, "Wer ein Liebchen hat gefunden" (Osmin) | Christoph Friedrich Bretzner, Johann Gottlieb Stephanie D. Jüngere, Wolfgang Amadeus Mozart, Gottlob Frick/Wilhelm Schüchter, Wilhelm Schüchter, Unidentified Orchestra | C Minor | 4 | 5A | 128 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Ah! dov'è il perfido?" | Wolfgang Amadeus Mozart, Diana Damrau, Joyce DiDonato, Mojca Erdmann, Rolando Villazón, Konstantin Wolff, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | C Minor | 1 | 5A | 61 BPM |
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