Wolfgang Amadeus Mozart, Thomas Hampson, Christiane Karg, Luca Pisaroni, Angela Brower, Sonya Yoncheva, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin made "Le nozze di Figaro, K.492 / Act 4: “Ecco qui la mia Susanna”" available on July 1, 2016. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Luca Pisaroni, Christiane Karg, Sonya Yoncheva, Thomas Hampson, Angela Brower, Anne Sofie von Otter, Maurizio Muraro, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin's "Mozart: Le nozze di Figaro, K.492" album is number 78 out of 82. On top of that, Germany appears to be the country where this track was created. Le nozze di Figaro, K.492 / Act 4: “Ecco qui la mia Susanna” is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Le nozze di Figaro, K.492 / Act 4: “Ecco qui la mia Susanna” by Wolfgang Amadeus Mozart, Thomas Hampson, Christiane Karg, Luca Pisaroni, Angela Brower, Sonya Yoncheva, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Requiem In D Minor, K. 626: Kyrie Eleison | Slovak Philharmonic, Jozef Kundlák, Slovak Philharmonic Chorus, Jaroslava Horska, Vladimir Ruso, Stefan Klimo, Peter Mikulas, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | F Major | 2 | 7B | 82 BPM | ||
Prelude & Fugue in C Minor (Well-Tempered Clavier, Book I, No. 2), BWV 847: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | C Minor | 2 | 5A | 65 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Mozart: Sinfonia concertante for Oboe, Clarinet, Horn and Bassoon in E-Flat Major, K. 297b: III. Andantino con variazioni | Wolfgang Amadeus Mozart, Sabine Meyer, Hans Vonk, Staatskapelle Dresden | G Major | 1 | 9B | 98 BPM | ||
Piano Sonata No. 15 in F Major, K. 533: III. Rondo: Allegretto, K. 494 | Wolfgang Amadeus Mozart, William Youn | F Major | 1 | 7B | 137 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM |
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