Cantillation, David Drury, David Russell's 'Thine Be the Glory' came out on November 9, 2012. The duration of Thine Be the Glory is about 3 minutes long, at 3:02. Based on our data, "Thine Be the Glory" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 50 Best-Loved Hymns, so we believe that "Thine Be the Glory" is a single. Based on our statistics, Thine Be the Glory's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Thine Be the Glory by Cantillation, David Drury, David Russell is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II: Come, ye sons of art, away | Henry Purcell, Michael Chance, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Major | 2 | 3B | 81 BPM | ||
Iphigénie en Tauride, Wq. 46, Act IV: Act IV Scene 2: Chaste fille de Latone | Christoph Willibald Gluck, Cantillation, Orchestra of the Antipodes, Antony Walker | G Major | 1 | 9B | 114 BPM | ||
Theodora, HWV 68, Act I: No. 16, Come, Mighty Father, Mighty Lord (Live) | Cantillation, Orchestra of the Antipodes | C Minor | 0 | 5A | 72 BPM | ||
Burial Service: I. Man that is Born of a Woman | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 98 BPM | ||
Now Is the Month of Maying: Now Is the Month of Maying | Thomas Morley, Laudantes Consort, Guy Janssens | G Major | 2 | 9B | 111 BPM | ||
Ave Generosa | Ola Gjeilo, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
How Lovely is Thy Dwelling Place | Johannes Brahms, Robert Shaw | A Major | 2 | 11B | 93 BPM | ||
Messe solennelle, Op. 16: II. Gloria | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | B♭ Major | 0 | 6B | 75 BPM | ||
The Day You Gave Us, Lord, Is Ended (Arr. Michael Leighton Jones) | The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | G Major | 2 | 9B | 83 BPM | ||
10 Pièces - Organ: IV. Toccata | Eugène Gigout, David Drury | C Major | 4 | 8B | 113 BPM |
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