On November 22, 2010, the song "Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix II: No. 20a, Russian Dance" was released by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra. With this song being about 5 minutes long, at 4:32, "Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix II: No. 20a, Russian Dance" by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Tchaikovsky: Schwanensee (Highlights)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix II: No. 20a, Russian Dance's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Tchaikovsky: Swan Lake, Op. 20, Act III, Appendix II: No. 20a, Russian Dance by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
Serenata Notturna K.239: Menuetto | Wolfgang Amadeus Mozart, City Of London Sinfonia;Andrew Watkinson | D Major | 0 | 10B | 117 BPM | ||
Romeo And Juliet, Ballet Suite No. 1 - Op. 64a:5: Masks | Sergei Prokofiev, Royal Concertgebouw Orchestra, Myung-Whun Chung | C Major | 0 | 8B | 68 BPM | ||
Raymonda, Act III: Variation 2 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 1 | 10B | 145 BPM | ||
Henry VIII: Scherzetto | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 92 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Coda | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | C Major | 4 | 8B | 135 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
La Bayadere, Act III: 43. "Entrance - Corps De Ballet, Nikiya, Solo | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 1 | 10B | 80 BPM | ||
The Sleeping Beauty, Op. 66 : (C) Desire (Variation I) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | E Minor | 5 | 9A | 60 BPM |
Section: 0.677283525466919
End: 0.6809463500976562