- BPM
- 60
- Key
- E Minor
- Camelot
- 9A
The Sleeping Beauty, Op. 66 : (C) Desire (Variation I) - Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice Information
- Acousticness
- 95%
- Danceability
- 53%
- Energy
- 45%
- Instrumentalness
- 97%
- Liveness
- 16%
- Loudness
- 72%
- Speechiness
- 9%
- Valence
- 81%
- Popularity
- 16%
- Loudness
- -17.018 dB
Summary
On July 31, 1992, the song "The Sleeping Beauty, Op. 66 : (C) Desire (Variation I)" was released by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice. With The Sleeping Beauty, Op. 66 : (C) Desire (Variation I) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Hong Kong. The Sleeping Beauty, Op. 66 : (C) Desire (Variation I) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The Sleeping Beauty, Op. 66 : (C) Desire (Variation I) BPM
With The Sleeping Beauty, Op. 66 : (C) Desire (Variation I) by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The Sleeping Beauty, Op. 66 : (C) Desire (Variation I) Key
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | |
 | Le Corsaire: Pas de deux (arr. J. Lanchberry): IV. Coda | Ludwig Minkus, Riccardo Drigo, John Lanchbery, Sofia National Opera Orchestra, Boris Spassov | B♭ Major | 3 | 6B | 128 BPM | |
 | Swan Lake, Op. 20: No. 8 Danse Des Coupes | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E Major | 4 | 12B | 115 BPM | |
 | Serenade for Strings in C Major, Op. 48: IV. Allegro con spirito | Slovak Philharmonic | D Major | 4 | 10B | 79 BPM | |
 | Opening Waltz (Onegin Ballet Suite No 13) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | A Major | 1 | 11B | 101 BPM | |
 | The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23f. Pas de quatre: Coda | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D Major | 0 | 10B | 95 BPM | |
 | Act III. Spanish dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F♯ Minor | 2 | 11A | 119 BPM | |
 | Lagunen-Walzer Op.411 | Johann Strauss II, Willi Boskovsky, Wiener Johann Strauss Orchester | D Major | 1 | 10B | 97 BPM | |
 | 8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | |
 | Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM |
- ISRC
- HKI199340321
- Label
- L-M Records/RCA Records
Section: 0.6487884521484375
End: 0.652808666229248