"La Bohème / Act 1: "Che gelida manina"" by Giacomo Puccini, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera was released on January 1, 1971. With this song being about 5 minutes long, at 4:46, "La Bohème / Act 1: "Che gelida manina"" by Giacomo Puccini, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Tenor Arias from Italian Opera". In this album, this song's track order is #7. La Bohème / Act 1: "Che gelida manina" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 1: "Che gelida manina" by Giacomo Puccini, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Gran ventura (Butterfly/Coro/Pinkerton/Sharpless/Goro) | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Rolando Panerai, Piero de Palma, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Sir John Barbirolli | F♯ Major | 1 | 2B | 172 BPM | ||
La Bohème / Act 4: "O Mimì, tu più non torni" | Giacomo Puccini, Roberto Alagna, Simon Keenlyside, Roberto de Candia, Ildebrando D'Arcangelo, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | A Major | 1 | 11B | 109 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Wagner: Tristan und Isolde, Act 3: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Waltraud Meier | G Minor | 2 | 6A | 91 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Teresa Berganza, English Chamber Orchestra | B Minor | 1 | 10A | 67 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM |
Section: 0.6536240577697754
End: 0.6574945449829102