Johann Sebastian Bach, Ann Monoyios, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld made "Jauchzet Gott in allen Landen!, BWV 51: Aria: Hochster, mache deine Gute (Soprano)" available on January 1, 2002. With this song being about 5 minutes long, at 4:38, "Jauchzet Gott in allen Landen!, BWV 51: Aria: Hochster, mache deine Gute (Soprano)" by Johann Sebastian Bach, Ann Monoyios, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 21 in Bach, J.S.: Ascension Oratorio / Jauchzet Gott in Allen Landen / O Ewiges Feuer, O Ursprung Der Liebe by Johann Sebastian Bach, Greg Funfgeld. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Jauchzet Gott in allen Landen!, BWV 51: Aria: Hochster, mache deine Gute (Soprano) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jauchzet Gott in allen Landen!, BWV 51: Aria: Hochster, mache deine Gute (Soprano) by Johann Sebastian Bach, Ann Monoyios, The Bach Choir Of Bethlehem, The Bach Festival Orchestra, Greg Funfgeld is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II | Johann Sebastian Bach, Yo-Yo Ma | C Major | 1 | 8B | 84 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Andante | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 0 | 12A | 89 BPM | ||
Johannes-Passion, BWV 245.1: 18. Recitativo: Da sprach Pilatus zu ihm | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM | ||
Sonate en La Mineur, K. 109: Adagio | Domenico Scarlatti, Anne Queffélec | A Minor | 0 | 8A | 136 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM |
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