Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir's 'Pushkin's Garland: Musk and Camphor' came out on July 14, 1995. With Pushkin's Garland: Musk and Camphor being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Russian Choir School: Vladimir Minin". In this album, this song's track order is #6. Pushkin's Garland: Musk and Camphor is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pushkin's Garland: Musk and Camphor by Georgy Sviridov, Vladimir Minin, Moscow Chamber Choir having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Symphony (Quartet No. 8), Op. 110a: Chamber Symphony (Quartet No. 8), Op. 110a: II. Allegro molto | Dmitri Shostakovich, Dmitri Ensemble, Graham Ross | G Major | 6 | 9B | 115 BPM | ||
Pinocchio: X. In fuga dai briganti | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Anna Ignatova | A Minor | 6 | 8A | 171 BPM | ||
O Virtus Sapientiae | Hildegard von Bingen, Kirsteen Rogers, Christopher Monks | C Major | 0 | 8B | 76 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Canticles & Prayers, From the Old Testament: No. 15, The Song of Purification | Georgy Sviridov, Unknown Artist, Latvian Radio Choir, Sigvards Kļava | D♭ Minor | 0 | 12A | 84 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Requiem canticorum: Pie Jesu | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 0 | 5B | 93 BPM | ||
Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM |
Section: 0.9372656345367432
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