Alexander Scriabin, Evgeny Zarafiants's '24 Preludes, Op. 11: No. 10 in C-Sharp Minor' came out on February 9, 2000. With 24 Preludes, Op. 11: No. 10 in C-Sharp Minor being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Scriabin: Preludes, Vol. 1". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, 24 Preludes, Op. 11: No. 10 in C-Sharp Minor's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Preludes, Op. 11: No. 10 in C-Sharp Minor by Alexander Scriabin, Evgeny Zarafiants having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Preparation for the Final Mystery - Realised by Alexander Nemtin - Part 3 - Transfiguration: Con timidezza-con agitazione-con ira-con rabbia | Alexander Scriabin, Alexander Lubimov, Thomas Trotter, St.Petersburg Chamber Choir, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy, Anna-Kristiina Kaappola | B♭ Minor | 3 | 3A | 48 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
12 Children's Pieces, Op. 31: No. 4, Rêverie | Reinhold Glière, Alton Chung Ming Chan | D Minor | 0 | 7A | 69 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
A la manière de. . . Chabrier | Maurice Ravel, Werner Haas | C Major | 0 | 8B | 87 BPM | ||
D'un vieux jardin | Lili Boulanger, Emile Naoumoff | D Major | 0 | 10B | 83 BPM | ||
Musica callada I Angelico | Federico Mompou, Arcadi Volodos | A Minor | 0 | 8A | 93 BPM |
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