François Couperin, Tanguy de Williencourt's 'Second livre de pièces de Clavecin, Ordre VI: V. Les Barricades mystérieuses' came out on March 19, 2021. The duration of Second livre de pièces de Clavecin, Ordre VI: V. Les Barricades mystérieuses is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Second livre de pièces de Clavecin, Ordre VI: V. Les Barricades mystérieuses's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 13 in A concert at the time of Proust by Tanguy de Williencourt, Théotime Langlois de Swarte. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Second livre de pièces de Clavecin, Ordre VI: V. Les Barricades mystérieuses's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Second livre de pièces de Clavecin, Ordre VI: V. Les Barricades mystérieuses by François Couperin, Tanguy de Williencourt is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): I. Prelude | Paul Bazelaire, François Couperin, János Starker, Santa Fe Festival Orchestra | G Minor | 1 | 6A | 60 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Du bist die Ruh', D. 776 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 171 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Sonata in D Major, No. 1: I. Grave - Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 1 | 4B | 147 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |
Section: 0.7818148136138916
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