"Concerto Grosso Op.3 Nr.1 B-dur - Largo" by English Chamber Orchestra, Sir Charles Mackerras was released on June 1, 1995. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in English Chamber Orchestra's "G. F. Händel: Orchestra Works" album is number 4 out of 32. In terms of popularity, Concerto Grosso Op.3 Nr.1 B-dur - Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso Op.3 Nr.1 B-dur - Largo by English Chamber Orchestra, Sir Charles Mackerras to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor | Johannes Brahms, Nigel Kennedy, English Chamber Orchestra, Paul Barritt | G Minor | 2 | 6A | 109 BPM | ||
4 Impromptus, D. 899, Op. 90: No. 3 in G-Flat Major | Franz Schubert, Murray Perahia | C Minor | 5 | 5A | 150 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Beethoven: Romance No. 2 in F Major, Op. 50 | Ludwig van Beethoven, Midori, Daniel Dodds, Lucerne Festival Strings | F Major | 0 | 7B | 99 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Divertimento in F for String Ensemble, K.138: iii. Presto | Mozart, English Chamber Orchestra, David Blum | C Major | 1 | 8B | 76 BPM | ||
Darcy's Letter - From "Pride & Prejudice" Soundtrack | English Chamber Orchestra, Benjamin Wallfisch | C Minor | 0 | 5A | 139 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM |
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