"Fantaisie for Piano and Orchestra, L. 73: I. Andante ma non troppo" by Claude Debussy, Martha Argerich, Staatskapelle Berlin, Daniel Barenboim was released on June 4, 2021. Since Fantaisie for Piano and Orchestra, L. 73: I. Andante ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 12 in Debussy: Fantaisie, Violin Sonata, Cello Sonata, La mer by Claude Debussy, Daniel Barenboim, Martha Argerich, Michael Barenboim, Staatskapelle Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Fantaisie for Piano and Orchestra, L. 73: I. Andante ma non troppo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fantaisie for Piano and Orchestra, L. 73: I. Andante ma non troppo by Claude Debussy, Martha Argerich, Staatskapelle Berlin, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse-Scherzo, Op. 34, TH 58 (Arr. Bezekirsky) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | C Major | 2 | 8B | 106 BPM | ||
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
6 Pieces, Op. 7: 1. Love Song (Arr. Kocián for Violin and Piano) | Josef Suk, Janine Jansen, Antonio Pappano | A♭ Major | 2 | 4B | 101 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
Paraphrase de concert sur Rigoletto, S. 434: Preludio. Allegro - Andante - Presto | Franz Liszt, Daniel Barenboim | D♭ Major | 2 | 3B | 64 BPM | ||
Préludes / Book 1, L. 117: La fille aux cheveux de lin (Arr. Koncz) | Claude Debussy, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 72 BPM | ||
An die Musik, D. 547 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Major | 1 | 10B | 81 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM |
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