Giacomo Puccini, Tito Gobbi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata's 'Puccini: Tosca, Act 2 Scene 4: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca)' came out on 1953. With Puccini: Tosca, Act 2 Scene 4: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca) being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Puccini : Tosca". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Puccini: Tosca, Act 2 Scene 4: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Tosca, Act 2 Scene 4: "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca) by Giacomo Puccini, Tito Gobbi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La rondine, Act 2: "Ah! che caldo! che sete!" (Magda, Ruggero) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | ||
Tosca: E Lucevan Le Stelle | Peter Dvorsky, Slovak Radio Symphony Orchestra, Luigi Illica, Giacomo Puccini, Giuseppe Giacosa | B Minor | 2 | 10A | 90 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
Mozart: Così fan tutte, K. 588, Act I, Scene 1: No. 2, Terzetto. "È la fede delle femmine" (Don Alfonso, Ferrando, Guglielmo) | Wolfgang Amadeus Mozart, Alfredo Kraus, Giuseppe Taddei, Heinrich Schmidt, Walter Berry, Karl Böhm, Philharmonia Orchestra | E Major | 2 | 12B | 103 BPM | ||
Norma (1997 - Remaster), Act I, Scene 1: Norma viene (Coro) | Vincenzo Bellini, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 2 | 5B | 127 BPM | ||
Cherubini: Medea, Act I: "Dei tuoi figli la madre" (Medea) | Luigi Cherubini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 80 BPM | ||
Donizetti: Anna Bolena, Act 2: "Al dolce guidami castel natio" (Anna Bolena) | Gaetano Donizetti, Maria Callas, Philharmonia Orchestra, Nicola Rescigno | F Major | 0 | 7B | 76 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Appressati, Lucia" (Enrico) | Gaetano Donizetti, Tullio Serafin, Tito Gobbi, Orchestra del Maggio Musicale Fiorentino | C Major | 0 | 8B | 72 BPM | ||
Rossini: Il barbiere di Siviglia, Act 2: Recitativo. "Ah! barbiere d'inferno" (Bartolo, Basilio) | Gioachino Rossini, James Levine, Renato Capecchi, Ruggero Raimondi, London Symphony Orchestra | G Major | 2 | 9B | 117 BPM | ||
Carmen (1997 - Remaster), Act I: Mon officier, c'était une querelle | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | C Major | 1 | 8B | 139 BPM |
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