"5 Danses profanes et sacrees: IV. Danse nuptiale" by Henri Tomasi, Berlin Philharmonic Wind Quintet was released on June 30, 2009. The duration of 5 Danses profanes et sacrees: IV. Danse nuptiale is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 5 Danses profanes et sacrees: IV. Danse nuptiale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Taffanel, P.: Wind Quintet / Poulenc, F.: Sextet / Jolivet, A.: Serenade / Tomasi, H.: 5 Danses". In this album, this song's track order is #14. In terms of popularity, 5 Danses profanes et sacrees: IV. Danse nuptiale is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 5 Danses profanes et sacrees: IV. Danse nuptiale by Henri Tomasi, Berlin Philharmonic Wind Quintet having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Konzertstück Nr. 2 in Es-Dur Op. 12 | Vassily Brandt, Timofei Dokshitser, The USSR Ministry Of Defence Wind Orchestra | F Minor | 3 | 4A | 74 BPM | ||
Lux Aeterna: III. Largo | Rihards Dubra, Saxtett | G Minor | 0 | 6A | 60 BPM | ||
Bipperie No. 5 | Lowell Shaw, Jesse McCormick & Susan McCullough | C Major | 0 | 8B | 158 BPM | ||
Improvisation et caprice: Caprice | Eugène Bozza, Koryun Asatryan, Eun Bae Jang | E♭ Major | 1 | 5B | 175 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): II. Merlyn's Tune and Tree Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | D Major | 1 | 10B | 78 BPM | ||
Symphony No. 4: Fourth Movement: Chorale | Lee Rogers, Javier Colomer, Jessica Buzbee | E Major | 0 | 12B | 69 BPM | ||
Concerto for Orchestra, Sz. 116: 2. Giuoco della coppie. Allegretto scherzando | Béla Bartók, Saito Kinen Orchestra, Seiji Ozawa | B Major | 0 | 1B | 69 BPM | ||
Concerto for Trumpet and Orchestra: II. Nocturne - Andantino | Henri Tomasi, Wynton Marsalis, Esa-Pekka Salonen | B♭ Minor | 3 | 3A | 156 BPM |
Section: 0.6237537860870361
End: 0.6287102699279785