Robert Jones, Emma Kirkby, David Thomas, Anthony Rooley, Trevor Jones's 'Whither Runneth My Sweetheart' had a release date set for August 1, 1980. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Whither Runneth My Sweetheart's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pastoral Dialogues". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Whither Runneth My Sweetheart is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Whither Runneth My Sweetheart by Robert Jones, Emma Kirkby, David Thomas, Anthony Rooley, Trevor Jones having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Igno soave | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 99 BPM | ||
Alexander’s Feast, HWV 75: Softly Sweet in Lydian Measures | George Frideric Handel, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Lachrimae or Seven Tears: V. Lachrimae coactae | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto Eccardo | Tarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 2 | 3A | 159 BPM | ||
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Aria di Cantar Sestine: A Qualunque Animale | Stefano Landi, Musica Sequenza, BURAK, Diana Ramirez | A Major | 2 | 11B | 83 BPM | ||
Armide, LWV 71, Act I Scene 3: Que la douceur d'un triomphe (Sidonie, Phénice, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost, Chœur de l'Opéra de Dijon | C Major | 3 | 8B | 112 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
In tribulationibus, in angustiis: No. 3, Ad floridum montem | Rinaldo Alessandrini, Concerto Italiano, Andrés Montilla, Luca Cervoni, Gabriele Lombardi | A Major | 3 | 11B | 93 BPM | ||
Ite, caldi sospiri | Robert Jones, Russell Oberlin, Joseph Iadone | C Major | 4 | 8B | 126 BPM |