Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans, Marielou Jacquard's ' "Coronis, Jornada segunda: No. 7, Ni las plantas, ni las fuentes" was released on its scheduled release date, February 11, 2022. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Coronis, Jornada segunda: No. 7, Ni las plantas, ni las fuentes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 46 in the song's album "Sebastián Durón: Coronis". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. Coronis, Jornada segunda: No. 7, Ni las plantas, ni las fuentes is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Coronis, Jornada segunda: No. 7, Ni las plantas, ni las fuentes by Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Ana Quintans, Marielou Jacquard having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Christe eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Terry Wey | A♭ Major | 1 | 4B | 105 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
In solitare arene: "Lo strale di Cupido" | Cataldo Amodei, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Coronis, Jornada primera: No. 11, Al ver que de mi horror | Sebastian Durón, Le Poème Harmonique, Vincent Dumestre, Isabelle Druet | E♭ Minor | 2 | 2A | 77 BPM | ||
[Suite en ré majeur]: I. Prélude (No. 47) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 92 BPM | ||
Beatus vir: VI. Sicut erat | Domenico Zipoli, Florilegium, Bolivian Soloists | F♯ Major | 0 | 2B | 72 BPM | ||
Polonaise in F Major, BWV Anh. 117 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: I. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Motetto de S. Joanne Baptista: I. Coro. Audite insulæ | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | A Major | 1 | 11B | 89 BPM |