"24 Préludes, Op. 28: No. 21 in B-Flat Major" by Frédéric Chopin, Maria João Pires was released on January 1, 1994. With 24 Préludes, Op. 28: No. 21 in B-Flat Major being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 24 out of 27 in Chopin: Piano Concerto No.2 In F Minor, Op. 21; 24 Preludes, Op. 28 by Frédéric Chopin, Maria João Pires, Royal Philharmonic Orchestra, André Previn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, 24 Préludes, Op. 28: No. 21 in B-Flat Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 24 Préludes, Op. 28: No. 21 in B-Flat Major by Frédéric Chopin, Maria João Pires is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 11: No. 21 in B-Flat Major | Alexander Scriabin, Evgeny Zarafiants | G Major | 0 | 9B | 141 BPM | ||
Avant-dernières penseés: I. Idylle | Erik Satie, Philippe Entremont | B♭ Major | 0 | 6B | 96 BPM | ||
Mazurka No.18 In C Minor Op.30 No.1 | Frédéric Chopin, Vladimir Ashkenazy | C Minor | 0 | 5A | 138 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
24 Preludes & Fugues, Op. 87: No. 10a, Prelude in C-Sharp Minor | Dmitri Shostakovich, Tatiana Nikolayeva | D♭ Minor | 1 | 12A | 110 BPM | ||
Lieder ohne Worte, Op.85: No. 3. Presto in E flat, MWV U 111 | Felix Mendelssohn, Daniel Barenboim | E♭ Major | 1 | 5B | 95 BPM | ||
Lyric Pieces Book III, Op. 43: No. 1 Butterfly | Edvard Grieg, Emil Gilels | F♯ Minor | 0 | 11A | 66 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 10 in C Sharp Minor | Alexander Scriabin, Mikhail Pletnev | D♭ Minor | 0 | 12A | 113 BPM | ||
Children's Album, Op. 39, TH 141: 13. The Accordion Player | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | D Minor | 8 | 7A | 98 BPM | ||
24 Preludes, Op. 34: No. 16 in B-Flat Minor. Andantino | Dmitri Shostakovich, Tatiana Nikolayeva | E Minor | 0 | 9A | 77 BPM |
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