Giovanni Zamboni, Luciano Còntini's 'Lute Sonata, Op. 1, No. 7: II. Alemanda' came out on April 1, 2014. The duration of Lute Sonata, Op. 1, No. 7: II. Alemanda is about 3 minutes long, at 3:16. Based on our data, "Lute Sonata, Op. 1, No. 7: II. Alemanda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Zamboni: Sonatas for Lute by Giovanni Zamboni, Luciano Còntini. The song's track number on the album is #28 out of 31 tracks. Lute Sonata, Op. 1, No. 7: II. Alemanda is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lute Sonata, Op. 1, No. 7: II. Alemanda by Giovanni Zamboni, Luciano Còntini has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lute Sonata, Op. 1, No. 7: II. Alemanda being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavana de Alexandre (Gallárda) | Alonso Mudarra, Hopkinson Smith | E Major | 1 | 12B | 126 BPM | ||
Allemande 4 - 1557 | Claude Gervaise, Ensemble Doulce Mémoire | G Minor | 2 | 6A | 117 BPM | ||
Pieces in A Minor: I. Allemande | Jean Mercure, Anders Ericson | A♭ Minor | 1 | 1A | 136 BPM | ||
sopra Passemezzo moderno | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | G Major | 2 | 9B | 139 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Melancholy Galliard, P. 25 | John Dowland, Nigel North | F♯ Major | 1 | 2B | 139 BPM | ||
Gavotte in F-Sharp Minor | Charles Mouton, Rolf Lislevand | A♭ Major | 1 | 4B | 31 BPM | ||
Mal un muta per effecto | Marchetto Cara, Shirley Rumsey | A Minor | 0 | 8A | 97 BPM | ||
Pièces de Luth, Livre I in A Minor: No. 1, Prelude | Charles Mouton, Hopkinson Smith | A♭ Minor | 1 | 1A | 64 BPM | ||
Der ander Theil des Lautenbuchs: Der hupff auff | Hans Neusidler, Ronn McFarlane | A♭ Minor | 3 | 1A | 131 BPM |
Section: 0.5032765865325928
End: 0.5070631504058838