"Piano Concerto No. 3 in E Major, Sz. 119: II. Adagio religioso" by Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen was released on September 15, 2023. Piano Concerto No. 3 in E Major, Sz. 119: II. Adagio religioso appears to be safe for all ages as it is not explicit. The song is number 8 out of 9 in Bartók: Piano Concertos by Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Piano Concerto No. 3 in E Major, Sz. 119: II. Adagio religioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 3 in E Major, Sz. 119: II. Adagio religioso by Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino | Cécile Chaminade, Eric Parkin | B Minor | 0 | 10A | 87 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: 3. Adagio | Béla Bartók, Saito Kinen Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: I. Animé et très décidé | Claude Debussy, Belcea Quartet | E♭ Major | 1 | 5B | 112 BPM | ||
4 Lyric Pieces, Op. 74: No. 1 Ekloge (Eclogue) | Jean Sibelius, Håvard Gimse | A Minor | 1 | 8A | 127 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Elegies BV 249: VII. Berceuse | Ferruccio Busoni, Igor Levit | C Major | 0 | 8B | 67 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Tailleferre: Valse lente | Germaine Tailleferre, Alexandre Tharaud | D Major | 0 | 10B | 60 BPM |
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