Pieter Jan Leusink, Urker Mannen Ensemble, Martin Mans made "Laat Sangh en Spel" available on June 1, 2005. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vaderlandse & Bevrijdingsliederen by Pieter Jan Leusink, Urker Mannen Ensemble, Martin Mans. The song's track number on the album is #12 out of 20 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. In terms of popularity, Laat Sangh en Spel is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Laat Sangh en Spel by Pieter Jan Leusink, Urker Mannen Ensemble, Martin Mans has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Laat Sangh en Spel being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa S. Marcellini: XIII. Et in unum Dominum - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 68 BPM | ||
Biber: Requiem a 15 in A Major: VII. Communio | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 101 BPM | ||
Prelude No. 7 in D Major, Op. 21 | Gustav Merkel, Edward Harte | A Minor | 1 | 8A | 110 BPM | ||
Requiem | Robert Schumann, Eva Andor, Katalin Szőkefalvi-Nagy, Zsuzsa Barlay, Gyorgy Korondy, József Gregor, Budapest Chorus, Hungarian State Orchestra, Miklós Forrai | D♭ Major | 0 | 3B | 80 BPM | ||
Missa Divi Xaverii, ZWV 12: Hosanna | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | A Major | 2 | 11B | 83 BPM | ||
Deutsche Messe, D. 872: Schlussgesang: Nicht zu langsam | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (7) Choral (Coro): Gloria Sei Dir Gesungen | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 2 | 10B | 79 BPM | ||
Toccata in D Major, P460 | Johann Pachelbel, Matthew Owens | F♯ Major | 0 | 2B | 123 BPM | ||
Requiem in D Minor, Op. 48: Pie Jesu | Gabriel Fauré, Maja Roodveldt, Hungarian Chamber Orchestra, Pieter Jan Leusink | F♯ Major | 1 | 2B | 73 BPM |
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