Frédéric Chopin, Polish Cello Quartet made "Mazurkas, Op. 7, B. 61: No. 1 in B-Flat Major (Arr. for Cello Quartet by Sabina Meck)" available on January 5, 2024. The duration of Mazurkas, Op. 7, B. 61: No. 1 in B-Flat Major (Arr. for Cello Quartet by Sabina Meck) is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Mazurkas, Op. 7, B. 61: No. 1 in B-Flat Major (Arr. for Cello Quartet by Sabina Meck)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 15 in Chopin Project by Frédéric Chopin, Polish Cello Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. In terms of popularity, Mazurkas, Op. 7, B. 61: No. 1 in B-Flat Major (Arr. for Cello Quartet by Sabina Meck) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Mazurkas, Op. 7, B. 61: No. 1 in B-Flat Major (Arr. for Cello Quartet by Sabina Meck) by Frédéric Chopin, Polish Cello Quartet is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | D♭ Major | 0 | 3B | 66 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM |
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