Arturo Buzzi-Peccia, Beniamino Gigli made "Povera Pulcinella (Recorded 1924)" available on January 1, 1990. The duration of Povera Pulcinella (Recorded 1924) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Povera Pulcinella (Recorded 1924)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Beniamino Gigli's "Gigli Vol. 1 (Recorded1918-1924)" album is number 21 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Povera Pulcinella (Recorded 1924)'s popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Povera Pulcinella (Recorded 1924) by Arturo Buzzi-Peccia, Beniamino Gigli to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM | ||
'O sole mio (Arr. Schifrin) - Live | Eduardo di Capua, Alfredo Mazzucchi, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | A♭ Major | 2 | 4B | 77 BPM | ||
Gioia | Yusif Eyvazov | G Major | 4 | 9B | 82 BPM | ||
Les Contes d'Hoffmann, Act III, Scene 1: "Elle a fui, la torterelle" | Jacques Offenbach, Sonya Yoncheva, Frederic Chaslin, Orquestra de la Comunitat Valenciana | B♭ Major | 1 | 6B | 175 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Pagliacci / Act 2: "Arlecchin! Colombina!" - "Prendi questo narcotico" | Ruggero Leoncavallo, Mirella Freni, Vincenzo Bello, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 124 BPM | ||
Notturno d'amore | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Lolita, "Spanish Serenade": Lolita | Arturo Buzzi-Peccia, Armand Tokatyan | D Major | 3 | 10B | 118 BPM | ||
Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM |
Section: 0.6661090850830078
End: 0.6711046695709229