Johann Sebastian Bach, Carolyn Sampson, Gerd Türk, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki's 'Mass in B Minor, BWV 232: Gloria. Domine Deus, Rex coelestis (Soprano I and Tenor)' came out on October 3, 2007. With this song being about 5 minutes long, at 5:08, "Mass in B Minor, BWV 232: Gloria. Domine Deus, Rex coelestis (Soprano I and Tenor)" by Johann Sebastian Bach, Carolyn Sampson, Gerd Türk, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 27 in Bach: Mass in B minor by Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Mass in B Minor, BWV 232: Gloria. Domine Deus, Rex coelestis (Soprano I and Tenor) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in B Minor, BWV 232: Gloria. Domine Deus, Rex coelestis (Soprano I and Tenor) by Johann Sebastian Bach, Carolyn Sampson, Gerd Türk, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Mass in B Minor, BWV 232: Osanna (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 4 | 3B | 193 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: III. Grave - Andante Largo | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Ludovit Kanta, Quido Holbling, Capella Istropolitana | F Major | 1 | 7B | 168 BPM | ||
Dixit Dominus in D, RV 594: 4. Tecum principium MC | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | E♭ Minor | 0 | 2A | 98 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 95 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 21. Evangelista, Jesus "Und ging hin ein wenig" | Johann Sebastian Bach, Collegium Vocale Gent, Franz-Joseph Selig, Ian Bostridge, Philippe Herreweghe | A Major | 0 | 11B | 72 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Matthäus Passion, Prima Parte: 13. Aria (Soprano): Ich Will Dir Mein Herze Schenken | Stephen Cleobury, Michael George, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, Martyn Hill, Emma Kirkby, Choir of King's College, Cambridge, David Thomas | F♯ Major | 0 | 2B | 72 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |
Section: 0.5636534690856934
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