Johann Hermann Schein, Hespèrion XX, Jordi Savall made "Schein: Suite No. 6 in A Minor (from "Banchetto musicale, 1617"): IV. Allemande e Tripla a 4 (Quinta tacet)" available on August 31, 2002. The duration of Schein: Suite No. 6 in A Minor (from "Banchetto musicale, 1617"): IV. Allemande e Tripla a 4 (Quinta tacet) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Schein: Suite No. 6 in A Minor (from "Banchetto musicale, 1617"): IV. Allemande e Tripla a 4 (Quinta tacet)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "Schein - Banchetto Musicale/Scheidt - Ludi Musici". In this album, this song's track order is #12. In terms of popularity, Schein: Suite No. 6 in A Minor (from "Banchetto musicale, 1617"): IV. Allemande e Tripla a 4 (Quinta tacet) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Schein: Suite No. 6 in A Minor (from "Banchetto musicale, 1617"): IV. Allemande e Tripla a 4 (Quinta tacet) by Johann Hermann Schein, Hespèrion XX, Jordi Savall having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O nobilissima viriditas: O nobilissima viriditas | Hildegard von Bingen, Sibil•la Ensemble | C Major | 0 | 8B | 80 BPM | ||
Lachrimae or Seven Tears: VI. Lachrimae amantis | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Israelis Brünnlein, S 1385: VI. Wende dich, Herr, und sei mir gnädig | Johann Hermann Schein, Philippe Herreweghe, Ensemble Vocal Européen | D Major | 1 | 10B | 171 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: VI. Israel hoffe auf den Herren | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | C Minor | 2 | 5A | 143 BPM | ||
Herr, nun lässest du deinen Diener in Friede fahen, SWV 433 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 138 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn II - O vos omnes | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Exaudiat te Dominus | Johann Hermann Schein, Alice Foccroulle, Reinoud Van Mechelen, InAlto, Lambert Colson | A Major | 1 | 11B | 73 BPM | ||
On ahdas täällä olla, Sl 153 | Mieskuoro Weljet | D Minor | 3 | 7A | 118 BPM | ||
Feria quinta in coena domini: Lamentatio Jeremiae Prophetae. Lectio prima "Jerusalem, convertere ad Dominum" | Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations | E Major | 3 | 12B | 70 BPM | ||
Sir John Souch His Galiard | John Dowland, Les Voix Humaines, Nigel North | G Minor | 1 | 6A | 90 BPM |
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