Francis Poulenc, Francois Le Roux, Pascal Rogé, Soloistes De L'Orchestre National De France, Charles Dutoit made "Le Bal Masqué - Poèmes de Max Jacob: 3. Malvina" available on January 1, 1996. The duration of Le Bal Masqué - Poèmes de Max Jacob: 3. Malvina is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Le Bal Masqué - Poèmes de Max Jacob: 3. Malvina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Poulenc: Le bal masqué/Chamber Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Le Bal Masqué - Poèmes de Max Jacob: 3. Malvina's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Le Bal Masqué - Poèmes de Max Jacob: 3. Malvina by Francis Poulenc, Francois Le Roux, Pascal Rogé, Soloistes De L'Orchestre National De France, Charles Dutoit having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 3. Finale (Allegro molto) | Francis Poulenc, Lucas Jussen, Arthur Jussen, Concertgebouworkest, Stéphane Denève | B Minor | 2 | 10A | 111 BPM | ||
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: II. Villanella (Quadro III | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 136 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM |
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