"P. Chesnokov, Op. 9, No.27: Open to Me the Doors of Repentance" by St.Petersburg Chamber Choir, Nikolai Korniev was released on January 31, 2022. The duration of P. Chesnokov, Op. 9, No.27: Open to Me the Doors of Repentance is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. P. Chesnokov, Op. 9, No.27: Open to Me the Doors of Repentance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Pavel Chesnokov, Sacred compositions, Op. 9". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Russia. Based on our statistics, P. Chesnokov, Op. 9, No.27: Open to Me the Doors of Repentance's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With P. Chesnokov, Op. 9, No.27: Open to Me the Doors of Repentance by St.Petersburg Chamber Choir, Nikolai Korniev having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Stichera (monody) | Kiev Chamber Choir | G Minor | 0 | 6A | 87 BPM | ||
The New Moon | Ēriks Ešenvalds, The Pacific Lutheran Choir Of The West, Richard Nance | D Minor | 1 | 7A | 85 BPM | ||
Bless the Lord, Praise the Lord, Amen | Kiev Chamber Choir | F Major | 2 | 7B | 72 BPM | ||
Five Hebrew Love Songs: Temuná (A Picture) | Eric Whitacre, Eric Whitacre Singers | G Major | 0 | 9B | 73 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Have mercy on us, O Lord | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | F♯ Major | 0 | 2B | 84 BPM | ||
Da molchit vsyakaya plot' (Let all mortal flesh keep silent), Op. 27 No. 1 | Pavel Chesnokov, St.Petersburg Chamber Choir, Nikolai Korniev | D Minor | 1 | 7A | 88 BPM | ||
Requiem - Herbert Howells: III. Requiem Aeternam (I) | Dale Warland Singers | E Minor | 0 | 9A | 83 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
To Thee We Sing | Eva Quartet | E♭ Minor | 2 | 2A | 78 BPM |
Section: 0.49301791191101074
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