"Ecce sacerdos magnus, WAB 13" by Anton Bruckner, Jeremy Gough, Graham Chambers, Corydon Singers, Martin Kelly, Matthew Best was released on 1984. With this song being about 5 minutes long, at 5:06, "Ecce sacerdos magnus, WAB 13" by Anton Bruckner, Jeremy Gough, Graham Chambers, Corydon Singers, Martin Kelly, Matthew Best is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 11 in Bruckner: Motets by Anton Bruckner, Corydon Singers, Matthew Best. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Ecce sacerdos magnus, WAB 13 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ecce sacerdos magnus, WAB 13 by Anton Bruckner, Jeremy Gough, Graham Chambers, Corydon Singers, Martin Kelly, Matthew Best is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM | ||
Messe en mi mineur: Messe en mi mineur: Benedictus. Moderato | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | C Major | 0 | 8B | 59 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 1. Adagio - Allegro molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 1 | 9B | 118 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 74 BPM | ||
Piano Concerto in E, Op. 59: III. Scherzo – Vivace | Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern | E Major | 2 | 12B | 81 BPM | ||
Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Mariss Jansons, Oslo Philharmonic Orchestra | G Minor | 1 | 6A | 105 BPM | ||
Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM | ||
Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 133 BPM |
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