On May 6, 2016, the song "French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): I. Allemande" was released by Anonymous , Johann Sebastian Bach, Ida Presti, Alexandre Lagoya. The duration of French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): I. Allemande is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): I. Allemande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Anonymous , Ida Presti, Alexandre Lagoya's "Ida Presti & Alexandre Lagoya, Vol. 4" album is number 11 out of 17. French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): I. Allemande is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of French Suite No. 5 in G Major, BWV 816 (Arr. for 2 Guitars): I. Allemande by Anonymous , Johann Sebastian Bach, Ida Presti, Alexandre Lagoya to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum (Gregorian) | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | A Minor | 2 | 8A | 137 BPM | ||
Mariam matrem Virginem | Jordi Savall | F Major | 2 | 7B | 130 BPM | ||
Beati Mundo Corde; Quicumque Christum | Monks Of The Abbey Of Notre Dame | B♭ Minor | 1 | 3A | 142 BPM | ||
Antiphon: Salve Regina | Cantarte Regensburg | A Major | 1 | 11B | 69 BPM | ||
Messe de Notre-Dame: XII. Ite Missa est | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | G Major | 1 | 9B | 74 BPM | ||
The Noble Joseph | Men's Chamber Choir of Sofia | C Major | 3 | 8B | 80 BPM | ||
Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | D Major | 2 | 10B | 133 BPM | ||
Introitus: Ad Te Levavi, Modo VII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | E Major | 1 | 12B | 81 BPM | ||
Во Царрствии Твоем | St. Peter St. Paul Cathedral Choir of Minsk | E Minor | 1 | 9A | 81 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM |
Section: 0.4693748950958252
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