Sergei Rachmaninoff, Nikolai Lugansky's 'Etudes-tableaux, Op. 33: No. 3 in C Minor. Grave' came out on July 22, 2007. Etudes-tableaux, Op. 33: No. 3 in C Minor. Grave is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Rachmaninoff: Études-Tableaux, Op. 33 & Op. 39". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Etudes-tableaux, Op. 33: No. 3 in C Minor. Grave is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etudes-tableaux, Op. 33: No. 3 in C Minor. Grave by Sergei Rachmaninoff, Nikolai Lugansky having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grieg: Holberg Suite, Op. 40: IV. Air (Piano Version) | Edvard Grieg, Cyprien Katsaris | G Minor | 0 | 6A | 75 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Evening Songs, B. 61: No. 8, You Little, Tiny Birds, Op. 31 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A♭ Major | 0 | 4B | 69 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Souvenir d'un lieu cher, Op.42: 2. Scherzo | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | C Minor | 2 | 5A | 97 BPM | ||
Piano Concerto, FP 146: 2. Andante con moto | Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 0 | 5B | 81 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Prokofiev: Piano Concerto No. 3 in C Major, Op. 26: II. Andantino con variazioni | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | C Major | 1 | 8B | 81 BPM |
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