"Prokofiev: Cinderella, Op. 87, Act 1: No. 15, The Autumn Fairy (Allegro moderato)" by Sergei Prokofiev, André Previn, London Symphony Orchestra was released on January 10, 1995. With Prokofiev: Cinderella, Op. 87, Act 1: No. 15, The Autumn Fairy (Allegro moderato) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Prokofiev: Cinderella - Ballet/Symphony No. 1". In this album, this song's track order is #15. Prokofiev: Cinderella, Op. 87, Act 1: No. 15, The Autumn Fairy (Allegro moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Cinderella, Op. 87, Act 1: No. 15, The Autumn Fairy (Allegro moderato) by Sergei Prokofiev, André Previn, London Symphony Orchestra having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses nobles et sentimentales, M.61: 6. Assez vif | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 100 BPM | ||
Romeo and Juliet, Op. 64 - Act 2: Folk Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 122 BPM | ||
La Mer, L. 109: II. Jeux de vagues | Claude Debussy, Valery Gergiev, London Symphony Orchestra | F♯ Minor | 1 | 11A | 76 BPM | ||
Puccini: La rondine, Act 2: "Nella dolce carezza della danza" (Magda, Ruggero, Chorus, Georgette, Gabriella, Lolette) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | F Minor | 1 | 4A | 173 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 2: No. 28, Mazurka (Allegro ma non troppo) | Sergei Prokofiev, André Previn, London Symphony Orchestra | A♭ Minor | 1 | 1A | 181 BPM | ||
Act II: Variation Of Dulcinea - Kitri (Minkus) | Mariinsky Orchestra | E♭ Major | 1 | 5B | 99 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Zum Tempo I. zurückkehren | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | G Minor | 1 | 6A | 83 BPM | ||
Also sprach Zarathustra, Op. 30: Von den Freuden und Leidenschaften | Richard Strauss, Los Angeles Philharmonic, Zubin Mehta | A♭ Major | 1 | 4B | 91 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 10, Entr'acte and Scene | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | B♭ Major | 3 | 6B | 117 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM |
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