"Melody in F Major, Op. 3, No. 1" by Anton Rubinstein, Philippe Entremont was released on 1953. With this song being about 5 minutes long, at 4:32, "Melody in F Major, Op. 3, No. 1" by Anton Rubinstein, Philippe Entremont is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Träumerei - Liebestraum - Für Elise - Clair de lune - Gymnopédie - Sony Classical Masters". In this album, this song's track order is #13. Based on our statistics, Melody in F Major, Op. 3, No. 1's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Melody in F Major, Op. 3, No. 1 by Anton Rubinstein, Philippe Entremont having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No.2 in G Major, Op. 44: II. Andante non troppo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 1 | 10B | 73 BPM | ||
Bagatelle, Op. 1: No. 1, Allegretto | Valentin Silvestrov, Natalya Pasichnyk | E♭ Major | 0 | 5B | 72 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Major | 1 | 8B | 85 BPM | ||
The Demon, Act II: Na Vozdushnom akiane | Anton Rubinstein, Ildar Abdrazakov, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | C Major | 2 | 8B | 77 BPM | ||
6 Etudes, Op. 23: No. 5 in F Major | Anton Rubinstein, Alexander Paley | E♭ Major | 1 | 5B | 85 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM | ||
Solomon, HWV 67: The Arrival Of The Queen Of Sheba | Georg Friedrich Händek, Robert Haydon Clark, Consort of London | B♭ Major | 3 | 6B | 120 BPM |
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