"Cavalli: Ercole amante, Prologo: "Ed ecco, o Gallia invita" (Cinthia)" by Francesco Cavalli, Michel Corboz, Luciano Sgrizzi, Marilyn Hill Smith, English Bach Festival Baroque Orchestra was released on July 1, 1981. The duration of Cavalli: Ercole amante, Prologo: "Ed ecco, o Gallia invita" (Cinthia) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Cavalli: Ercole amante, Prologo: "Ed ecco, o Gallia invita" (Cinthia)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Cavalli: Ercole amante, Prologo: "Ed ecco, o Gallia invita" (Cinthia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cavalli: Ercole amante, Prologo: "Ed ecco, o Gallia invita" (Cinthia) by Francesco Cavalli, Michel Corboz, Luciano Sgrizzi, Marilyn Hill Smith, English Bach Festival Baroque Orchestra is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Cavalli: L'Ormindo, Act 2: "Che città" (Nerillo) | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Major | 3 | 9B | 132 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: IV. Giga | Jean-François Dandrieu, Le Consort, Justin Taylor | F♯ Minor | 5 | 11A | 139 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Cæcilia, virgo et martyr octo vocibus, H. 397, Prima pars: Præludium - Est secretum, valeriane (Cæcilia) | Marc-Antoine Charpentier, Judith Fa, Sébastien Daucé, Ensemble Correspondances | F♯ Minor | 1 | 11A | 176 BPM | ||
Concerto for violin, strings and continuo in B flat, RV 370: Allegro | La Serenissima, Mhairi Lawson | F Major | 1 | 7B | 113 BPM | ||
Passacaglia - Lamento d'Apollo | Luigi Rossi, Francesco Cavalli, Nihan Devecioglu, Friederike Heumann, Xavier Diaz-Latorre | D♭ Minor | 0 | 12A | 113 BPM |
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