Raniero de' Calzabigi, Christoph Willibald Gluck, Erika Köth/RIAS-Kammerchor/Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker's 'Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Triumph sei Amor' came out on April 12, 2013. The duration of Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Triumph sei Amor is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Triumph sei Amor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Raniero de' Calzabigi, Hermann Prey/Pilar Lorengar/Erika Köth's "Gluck: Orpheus und Eurydike" album is number 18 out of 18. On top of that, Germany appears to be the country where this track was created. Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Triumph sei Amor is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): Triumph sei Amor by Raniero de' Calzabigi, Christoph Willibald Gluck, Erika Köth/RIAS-Kammerchor/Berliner Symphoniker/Horst Stein, Horst Stein, Berliner Symphoniker to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 42, Op. 42, MWV A15: Quintetto "Der Herr hat des Tages verheißen" | Felix Mendelssohn, Eiddwen Harrhy, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Major | 1 | 6B | 170 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | G Minor | 2 | 6A | 176 BPM | ||
Messa di Gloria: XIV. Et unam, sanctam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | A♭ Major | 1 | 4B | 70 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sanctus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 125 BPM | ||
Te Deum: Tu Rex gloriae Christie | Georges Bizet, Angela Maria Blasi, Christian Elsner, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | F Major | 1 | 7B | 112 BPM | ||
Jauchzet Gott in allen Landen, BWV 51: Jauchzet Gott in allen Landen (Arie) | Johann Sebastian Bach, Núria Rial, Julia Schröder | B Major | 3 | 1B | 97 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Des noirs pressentiments | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Dietrich Fischer-Dieskau | A Minor | 3 | 8A | 110 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act 3: Recitativo. "E pur così in un giorno" - Aria. "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Kathleen Battle, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 0 | 6B | 134 BPM | ||
Orfeo ed Euridice, Wq. 30: Act III, Scene 1: "Che fiero momento!" (Euridice) | Christoph Willibald Gluck, Raniero de' Calzabigi, Tafelmusik Baroque Orchestra | B Minor | 1 | 10A | 72 BPM |
Section: 0.8649032115936279
End: 0.8678853511810303