"Homenaje, "Le Tombeau de Claude Debussy" (version for guitar)" by Manuel de Falla, Jurgen Rost was released on January 1, 1989. The duration of Homenaje, "Le Tombeau de Claude Debussy" (version for guitar) is about 3 minutes long, at 3:16. Based on our data, "Homenaje, "Le Tombeau de Claude Debussy" (version for guitar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Guitar Duet Recital: Rost, Monika / Rost, Jurgen – Sor, F. / Granados, E. / Albeniz, I. / Moreno Torroba, F. / Tarrega, F. / Ruiz-Pipo, A." album is number 14 out of 15. Homenaje, "Le Tombeau de Claude Debussy" (version for guitar) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Homenaje, "Le Tombeau de Claude Debussy" (version for guitar) by Manuel de Falla, Jurgen Rost to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande, Mari Kodama | G Major | 1 | 9B | 85 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Mandolin Concerto in C Major, RV 425: III. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 4 | 8B | 148 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice) - Arranged for cello and piano / Act 2: Dance of the Blessed Spirits (Reigen seliger Geister) | Christoph Willibald Gluck, Mischa Maisky, Pavel Gililov | B Minor | 1 | 10A | 66 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
El Sombrero de tres picos, Parte I: Danza de la molinera. Fandango | Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado | D Major | 2 | 10B | 119 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
El amor brujo (Love, the Magician): No. 1. Pantomime (arr. P. Kochanski) | Paul Kochanski, Manuel de Falla, Salvatore Accardo, Laura Manzini | G Major | 0 | 9B | 77 BPM |
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