Alessandro Scarlatti, Ars Lyrica Houston, Meghan Lindsay, John Holiday, Matthew Dirst's 'La sposa dei cantici, Pt. 1: 8a. "Per monti e valli"' came out on September 5, 2023. With La sposa dei cantici, Pt. 1: 8a. "Per monti e valli" being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alessandro Scarlatti, Ars Lyrica Houston, Matthew Dirst, Meghan Lindsay, John Holiday, Jay Carter, Ryland Angel's "La sposa dei cantici" album is number 16 out of 47. On top of that, United States appears to be the country where this track was created. La sposa dei cantici, Pt. 1: 8a. "Per monti e valli" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La sposa dei cantici, Pt. 1: 8a. "Per monti e valli" by Alessandro Scarlatti, Ars Lyrica Houston, Meghan Lindsay, John Holiday, Matthew Dirst to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata sesta for violino solo: I. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 0 | 9A | 100 BPM | ||
Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
Il Martirio di Santa Teodosia, Seconda Parte: Costanza, fierezza, ci vuol per combattere (Teodosia, Arsenio, Urbano) | Alessandro Scarlatti, Emmanuelle De Negri, Emiliano Gonzalez Toro, Renato Dolcini, Les Accents, Thibault Noally | D♭ Major | 2 | 3B | 79 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Orfeo ed Euridice, Wq. 30, Act II, Scene 2: Symphonie - Arioso "Che puro ciel, che chiaro sol" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire, Chœur De Chambre De Namur | B Minor | 2 | 10A | 89 BPM | ||
Dido and Aeneas: Overture | Henry Purcell, English Baroque Soloists, John Eliot Gardiner | B Minor | 2 | 10A | 166 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Abdelazar Suite, Z. 570: IV. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Phaéton Opera in 5 acts with prologue: Chaconne in G | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 140 BPM |
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