- BPM
- 74
- Key
- D Major
- Camelot
- 10B
Children's Corner (arr. P. Galbraith): V. The Little Shepherd - Claude Debussy, Paul Galbraith Information
- Acousticness
- 99%
- Danceability
- 44%
- Energy
- 1%
- Instrumentalness
- 91%
- Liveness
- 8%
- Loudness
- 42%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 6%
- Loudness
- -35.083 dB
Summary
"Children's Corner (arr. P. Galbraith): V. The Little Shepherd" by Claude Debussy, Paul Galbraith was released on January 1, 2006. The duration of Children's Corner (arr. P. Galbraith): V. The Little Shepherd is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Children's Corner (arr. P. Galbraith): V. The Little Shepherd's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 19 in Debussy, C.: Children's Corner / Piece Pour Le Vetement Du Blesse / Ravel, M.: Ma Mere L'Oye (Arr. for Guitar) (French Impressions) (Gilbraith) by Paul Galbraith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Children's Corner (arr. P. Galbraith): V. The Little Shepherd is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Children's Corner (arr. P. Galbraith): V. The Little Shepherd BPM
The tempo marking of Children's Corner (arr. P. Galbraith): V. The Little Shepherd by Claude Debussy, Paul Galbraith is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Children's Corner (arr. P. Galbraith): V. The Little Shepherd Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | |
 | 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | |
 | Ma mère l'oye, M. 60: 5. Le jardin féerique. Lent et grave | Valeria Szervánszky, Ronald Cavaye | C Major | 0 | 8B | 116 BPM | |
 | Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | |
 | Debussy - Claire De Lune | Martin Bloch | D♭ Major | 0 | 3B | 74 BPM | |
 | Berceuse for Piano in D-Flat Major | Mily Balakirev, Christian Spring | D♭ Major | 0 | 3B | 80 BPM | |
 | Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | |
 | Peer Gynt Suite No.1, Op.46: 1. Morning Mood | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 141 BPM | |
 | Barber: Adagio for Strings | Samuel Barber, Sir Simon Rattle, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 73 BPM |
- ISRC
- USASX0625006
- Label
- L-M Records/RCA Records
Section: 0.7397763729095459
End: 0.7440814971923828