Wolfgang Amadeus Mozart, Sam Franko, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan made "Violin Concerto No. 3 in G Major, K. 216: III. Rondo (Allegro)" available on January 1, 1999. Since Violin Concerto No. 3 in G Major, K. 216: III. Rondo (Allegro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan's "Mozart: Violin Concerto Nos.3 K.216 & 5 K.219" album is number 3 out of 6. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Violin Concerto No. 3 in G Major, K. 216: III. Rondo (Allegro) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Violin Concerto No. 3 in G Major, K. 216: III. Rondo (Allegro) by Wolfgang Amadeus Mozart, Sam Franko, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aufforderung zum Tanze, Op. 65, J.260 | Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 111 BPM | ||
Water Music, Suite No. 2 in D Major, HWV 349 Allegro | Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 127 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Symphony No.8 In F, Op.93: 2. Allegretto scherzando | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 165 BPM | ||
Cosi fan tutte, K. 588, Act 2: Recit "Ah, cessa, cessa di tormentarmi" (Guglielmo, Don Alfonso, Ferrando) | Wolfgang Amadeus Mozart, Royal Liverpool Philharmonic Orchestra, Laurent Pillot, European Opera Centre, Alexander Sprague, Biagio Pizzuti, Francesco Vultaggio | F♯ Minor | 1 | 11A | 129 BPM | ||
Concerto In G Minor R439 Op.10 No.2 "La Notte": 3. Il sonno. Largo - Allegro | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | G Minor | 2 | 6A | 124 BPM | ||
Quintettino Op.30 No.6, G.324: 4. Passacalle | Luigi Boccherini, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 77 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM |
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