"Ravel: Pièce en forme de Habanera" by Maurice Ravel, Alison Balsom, Guy Barker, Guy Barker Orchestra was released on September 8, 2014. The duration of Ravel: Pièce en forme de Habanera is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Ravel: Pièce en forme de Habanera's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Paris (SD)". In this album, this song's track order is #8. Ravel: Pièce en forme de Habanera is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ravel: Pièce en forme de Habanera by Maurice Ravel, Alison Balsom, Guy Barker, Guy Barker Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite bergamasque: Suite bergamasque: I. Prélude. Moderato | Claude Debussy, Alain Planes | F Major | 1 | 7B | 93 BPM | ||
The Seasons, Op. 37b: June (Arr. by Daniel Hope and Jacques Ammon) | Pyotr Ilyich Tchaikovsky, Daniel Hope, Jacques Ammon | G Minor | 0 | 6A | 75 BPM | ||
Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Lorin Maazel, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
Carmen Suite No. 2: III. Nocturne | Georges Bizet, Slovak Philharmonic, Anthony Bramall | E♭ Major | 1 | 5B | 72 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Albinoni: Concerto In B Flat, Op 7 No.3 - I Allegro | Tomaso Albinoni, Tine Thing Helseth | B♭ Major | 3 | 6B | 113 BPM | ||
Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
Hummel: Trumpet Concerto In E Flat - Ii Andante | Johann Nepomuk Hummel, Tine Thing Helseth | A♭ Major | 1 | 4B | 92 BPM | ||
2 Elegiac Melodies, Op. 34: No. 2, Varen (Last Spring) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 0 | 9B | 82 BPM | ||
Legrand: La Valse des Lilas | Eddie Barclay, Eddy Marnay, Michel Legrand, Alison Balsom, Guy Barker, Guy Barker Orchestra | F Major | 1 | 7B | 90 BPM |
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