"Legrand: La Valse des Lilas" by Eddie Barclay, Eddy Marnay, Michel Legrand, Alison Balsom, Guy Barker, Guy Barker Orchestra was released on September 8, 2014. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Paris (SD)". In this album, this song's track order is #4. In terms of popularity, Legrand: La Valse des Lilas is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Legrand: La Valse des Lilas by Eddie Barclay, Eddy Marnay, Michel Legrand, Alison Balsom, Guy Barker, Guy Barker Orchestra having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oblivion pour flûte alto, bandonéon, guitare et contrebasse | Cécile Daroux, Leonardo Sanchez, Juan José Mosalini Jr, Mauricio Angarita | C Minor | 0 | 5A | 89 BPM | ||
Eben: Ókna (Windows) - after Marc Chagall: III. Cervené Okno (The Red Window) | Petr Eben, Alison Balsom, Quentin Thomas | C Major | 2 | 8B | 92 BPM | ||
Once Upon a Summertime | Michel Legrand, Maurice André/Béatrice André/London Philharmonic Orchestra/Michel Legrand, London Philharmonic Orchestra | G Major | 2 | 9B | 130 BPM | ||
Prelude No. 3 in C# Major from The Well-Tempered Clavier Book I, BWV 848 | Brad Mehldau | D♭ Major | 3 | 3B | 129 BPM | ||
Romance / Hommage à Milhaud | Enrico Pieranunzi, André Ceccarelli, Diego Imbert | B♭ Major | 2 | 6B | 109 BPM | ||
Quebra-Queixo | Clarinetes Ad Libitum | C Minor | 1 | 5A | 107 BPM | ||
Piazzolla: Libertango | Astor Piazzolla, Alison Balsom, Edward Gardner, Göteborg Symfoniker | A Minor | 3 | 8A | 150 BPM | ||
Neruda: Trumpet Concerto in E-Flat Major: I. Allegro | Johann Baptist Georg Neruda, Alison Balsom, Deutsche Kammerphilharmonie Bremen | E♭ Major | 2 | 5B | 103 BPM | ||
Bernstein: Rondo for Lifey | Leonard Bernstein, Alison Balsom | E♭ Major | 1 | 5B | 114 BPM | ||
Purcell / Arr. Balsom: King Arthur, Z. 628, Act V: Round Thy Coast | Henry Purcell, Alison Balsom, The English Concert, Trevor Pinnock | A♭ Minor | 0 | 1A | 86 BPM |
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