| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Doamne, femeia ce căzuse în păcate multe | Mănăstirea Radu Vodă | D♭ Major | 1 | 3B | 88 BPM | ||
| Great Litany (O. Martinov) | Russian Orthodox Male Choir of Australia, Archpriest Gabriel Makarov, Protodeacon Alexander Kotlaroff | C Major | 0 | 8B | 129 BPM | ||
| Epi Toy Oroys Metemorfothis (Επί Του Όρους Μετεμορφώθης )[Εις Την Μεταμόρφωσιν Του Σωτήρος] | Fr. Eirinaios Nakos (Αρχιμ. Ειρηναίος Νάκος) & George Demelis (Γιώργος Δεμελής) | C Major | 0 | 8B | 115 BPM | ||
| The Angel Cried (Liturgy Version) | Dynamis Byzantine Ensemble | E♭ Major | 6 | 5B | 64 BPM | ||
| The Great Canon of Supplication: Ode VII in English | Psaltiki | F Major | 1 | 7B | 37 BPM | ||
| Thrice-Holy Hymn 1st Mode | Dynamis Byzantine Ensemble | B Minor | 2 | 10A | 135 BPM | ||
| Великий прокимен | Братский хор Свято-Елисаветинского монастыря под управлением Евгения Прокофьева | D Major | 3 | 10B | 83 BPM | ||
| Second Antiphon: Psalm 145 / Only Begotten Son / Small Litany | St. John the Baptist Monastery Choir | G Minor | 2 | 6A | 170 BPM | ||
| Păcătoasa a venit la Tine (Sedealna I la Utrenie în Sfânta și Marea Miercuri, glasul 3) - Live | Mănăstirea Putna | A♭ Major | 2 | 4B | 77 BPM | ||
| Idiomelon of the Lite (First Mode) | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | G Major | 2 | 9B | 69 BPM | ||
| It Is Truly Meet - Znamenny Chant | St. Tikhon's Monastery Choir | D♭ Major | 2 | 3B | 107 BPM | ||
| Axion esti... (megalinaria) | Kwnstantinos Kantanis, Antwnios Stathopoulos, Vasileios Kantanis | B Major | 1 | 1B | 78 BPM | ||
| In His Holy Mountain | Holy Transfiguration Monastery | D♭ Major | 3 | 3B | 110 BPM | ||
| The Small Canon of Supplication: Ode VIII in English | Psaltiki | G Minor | 1 | 6A | 113 BPM | ||
| Εις Το Όνομα Κυρίου | Ρωμαίϊκο Σύνολο | B♭ Minor | 3 | 3A | 119 BPM | ||
| Câți în Hristos v-ați botezat, gl. I | Grupul Nectarie Protopsaltul | B Minor | 3 | 10A | 172 BPM | ||
| Eklogarion | Joseph Yazbeck | D Major | 2 | 10B | 115 BPM | ||
| Holy Anaphora 1st Mode | Dynamis Byzantine Ensemble | B♭ Major | 1 | 6B | 132 BPM | ||
| Triti Odi Kanona me Katavasia | Choir of Vatopedi Fathers | F♯ Major | 2 | 2B | 127 BPM | ||
| Απολυτίκιον Ευαγγελισμού της Θεοτόκου, Ήχ. δ’ | Ormylia Monastery | F♯ Major | 2 | 2B | 93 BPM | ||
| Slava Multimile Calugarilor / Doxology We the Multitude of Monks | Byzantion | D Major | 2 | 10B | 167 BPM | ||
| El Señor Me Pastorea | Cantado por el Coro de la Catedral de San Jorge | A Minor | 0 | 8A | 87 BPM | ||
| Meth Hmon O Theos | Ergastiri Psaltikis | E♭ Major | 4 | 5B | 79 BPM | ||
| Κύριε Αναβαίνοντός Σου Εν Τω Σταυρώ | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | F♯ Major | 3 | 2B | 108 BPM | ||
| Veniti Sa Ne Inchinam / Come, Let Us Bow Down | Byzantion | D Major | 1 | 10B | 56 BPM |
Τείχος Ει Των Παρθένων is a somber, low-energy track by Ρωμαίϊκο Σύνολο from Από Τον Ακάθιστο Στο Νυμφίο, released April 4, 2014. It runs 2:14 at 81 BPM (162 BPM double-time) in D♭ Major (Camelot 3B).
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