| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| أَيَّتُها السَّيِّدة الكُلِّيُّ قُدسُها | The Choir of Eparchy of Tripoli | D Major | 2 | 10B | 67 BPM | ||
| Kyrie ton Paraliton (Doksastiko ainon Kyriakhs Paralitou) | Christos Kolovos | E♭ Major | 1 | 5B | 140 BPM | ||
| Ελεήμον, Ελέησόν Με… Τα Πλήθη…, Ηχ. Πλ. Β’ | Ιερόν Κουτλουμουσιανόν Κελλίον | E Major | 2 | 12B | 101 BPM | ||
| Awed by the Beauty | Rana Nassour-Derbaly | B♭ Minor | 0 | 3A | 126 BPM | ||
| Τον Νυμφίον, αδελφοί, αγαπήσωμεν | Ι. Μ. Βατοπαιδίου | A♭ Major | 3 | 4B | 137 BPM | ||
| Stihirile Adormirii Maicii Domnului | Maria Coman | C Minor | 3 | 5A | 108 BPM | ||
| Блажен муж. Киевский распев | Братский хор Свято-Елисаветинского монастыря под управлением Евгения Прокофьева | E Major | 2 | 12B | 85 BPM | ||
| Είσοδος Ευαγγελίου | Χορός Βατοπαιδινών Πατέρων | E Minor | 3 | 9A | 64 BPM | ||
| Ote kairos (Doksastiko Xristougennon) | Christos Kolovos | E♭ Major | 1 | 5B | 140 BPM | ||
| Ἀναστάσεως ἡμέρα, ἦχος πλ. α ́ Ανεανες | Musica Universalis | D Major | 2 | 10B | 90 BPM | ||
| Stichera Prosomoia at the Praises (Plagal Fourth Mode) | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | G Major | 2 | 9B | 69 BPM | ||
| Învierea Ta, Hristoase, gl. VI | TRONOS - corul de psalți al Patriarhiei Române, Mihail Bucă | A Major | 2 | 11B | 103 BPM | ||
| Τροπάριο Της Κασσιανής: Κύριε Η Εν Πολλαίς Αμαρτίαις | Ρωμαίϊκο Σύνολο | D♭ Major | 3 | 3B | 81 BPM | ||
| Μεγάλα προκείμενα, ήχος πλ. δ΄ | Choir of Simonopetra | F♯ Minor | 3 | 11A | 82 BPM | ||
| Ευαγγελίζου Γη, Αργό | Χορωδία Λυκούργου Αγγελόπουλου | A♭ Minor | 1 | 1A | 79 BPM | ||
| Christ is Risen, Pt. 1 | Choir of St. Romanos The Melodist Orthodox Archdiocese of Beirut | C Major | 2 | 8B | 76 BPM | ||
| Apostikha Doxastikhon (Tone 4) [Byzantine Chant] | St. Symeon Orthodox Church Choir | D Major | 1 | 10B | 74 BPM | ||
| الإكسابوستيلاري، باللحن الثّاني | جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس | D♭ Minor | 3 | 12A | 69 BPM | ||
| Τεριρέμ, ηχ. β΄ | Βυζαντινός Χορός των Τρικάλων | B Major | 2 | 1B | 109 BPM | ||
| Psalm 64, Tone 8 | Father Nicolas Malek, The Choir of Eparchy of Tripoli | D♭ Minor | 2 | 12A | 83 BPM | ||
| Idou o Nimfios erxete (Argo tropario tou Orthou tis Megalis Deyteras, Tone 8.) | Christos Kolovos, Constantinos Kolovos | E♭ Major | 2 | 5B | 62 BPM | ||
| Ectenia Mare / The Great Litany | Byzantion | D Major | 1 | 10B | 56 BPM | ||
| Ως Τον Βασιλέα | Ρωμαίϊκο Σύνολο | B♭ Minor | 3 | 3A | 119 BPM | ||
| Desert Winds of the Seraphim | SUS Coptic Diocese, The Byzantine Choir of St. George Cathedral, جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس, Matteo Solumn | D Major | 2 | 10B | 82 BPM | ||
| God Is the Lord - The Athonite Godbearing | Timothy Diwema, Athonite Friends | G Major | 2 | 9B | 166 BPM |
الأوديات الرّابعة والخامسة والسّادسة، باللحن الأول is a melancholic, low-energy track by جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس from تراتيل أحد الفصح المقدّس, released June 3, 2017. It runs 8:14 at 69 BPM (138 BPM double-time) in D♭ Minor (Camelot 12A).
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