"12 Pieces nouvelles: 12 pieces nouvelles: No. 4. Toccata in G Major" by Théodore Dubois, Francis Jackson was released on June 1, 1974. Since 12 Pieces nouvelles: 12 pieces nouvelles: No. 4. Toccata in G Major is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Pipes Of Splendour". In this album, this song's track order is #6. 12 Pieces nouvelles: 12 pieces nouvelles: No. 4. Toccata in G Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Pieces nouvelles: 12 pieces nouvelles: No. 4. Toccata in G Major by Théodore Dubois, Francis Jackson having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe solennelle de saint Rémi: IV. Sanctus | Théodore Dubois, Choeur Classique D'Ottawa, Chœur philharmonique du Nouveau Monde, Michel Brousseau, Percussions et cuivres de l’Orchestre philharmonique du Nouveau Monde, Chanteurs De Sainte-Therese, Jean-Willy Kunz, Choeur Tremblant | A♭ Major | 1 | 4B | 91 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F♯ Major | 0 | 2B | 77 BPM | ||
Hymn: Veni creator spiritus | Rabanus Maurus, Anonymous 4 | B♭ Major | 0 | 6B | 98 BPM | ||
Joy Of The Celestial Forces | "Drevnerussky Rospev" Male Choir | G Minor | 0 | 6A | 134 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Blessed Is the Man, Op. 44 No. 2 (Arr. G. Smirnov for Choir) | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Minor | 1 | 5A | 137 BPM | ||
Missa cunctipotens genitor Deus - Agnus Dei | Nova Schola Gregoriana, Alberto Turco | G Major | 0 | 9B | 138 BPM | ||
We sing Thee | USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 140 BPM |
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