"Spanish Dances, Op. 22: No. 1, Romanza andaluza" by Pablo de Sarasate, Francisco Fullana, Alba Ventura was released on July 21, 2023. With this song being about 5 minutes long, at 4:42, "Spanish Dances, Op. 22: No. 1, Romanza andaluza" by Pablo de Sarasate, Francisco Fullana, Alba Ventura is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Spanish Light". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Spanish Dances, Op. 22: No. 1, Romanza andaluza is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Spanish Dances, Op. 22: No. 1, Romanza andaluza by Pablo de Sarasate, Francisco Fullana, Alba Ventura having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and guitar) | Anonymous , Camille Saint-Saëns, Claremont Duo | G Minor | 2 | 6A | 122 BPM | ||
Piano Quintet No. 3 in A Minor: III. Vivo senza correre | Lorenzo Perosi, Matteo Bevilacqua, Roma Tre Orchestra Ensemble | A Major | 2 | 11B | 96 BPM | ||
Ad Lumen (Towards Light) | Karl Jenkins, World Orchestra For Peace, Krzysztof Wisniewski | F Major | 2 | 7B | 105 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Piano Trio in A Minor, Op. 50: II. Variation 1 | Pyotr Ilyich Tchaikovsky, Alexandra Troussova, Kirill Troussov, Benedict Kloeckner | E Major | 2 | 12B | 86 BPM | ||
Butterfly Lovers Violin Concerto: V. Lagrimoso | Chen Gang, Zhanhao He, Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra | E Major | 4 | 12B | 146 BPM | ||
Song of the Birds | Pablo Casals, Dave Loew | F♯ Minor | 0 | 11A | 127 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
Glazunov: Meditation, Op. 32 | Su Shien-Ta, Yu Tsui-Ling | A Minor | 0 | 8A | 76 BPM | ||
Tales of a Small Flute for Piccolo & Piano: I. Volne (Andante) | Vítězslava Kaprálová, Haika Lübcke, Hendrik Heilmann | E Major | 0 | 12B | 96 BPM |
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