- BPM
- 95
- Key
- G Minor
- Camelot
- 6A
Magnificat in G minor, R.610/611: 9. Largo - Andante - Allegro: Gloria Patria - Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers Information
- Acousticness
- 96%
- Danceability
- 15%
- Energy
- 22%
- Instrumentalness
- 96%
- Liveness
- 7%
- Loudness
- 73%
- Speechiness
- 3%
- Valence
- 19%
- Popularity
- 12%
- Loudness
- -16.233 dB
Summary
"Magnificat in G minor, R.610/611: 9. Largo - Andante - Allegro: Gloria Patria" by Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers had its release date on May 25, 2024. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Magnificat in G minor, R.610/611: 9. Largo - Andante - Allegro: Gloria Patria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 57 out of 96 in English Chamber Orchestra plays Vivaldi, Handel & Telemann by English Chamber Orchestra, Georg Philipp Telemann, Antonio Vivaldi, George Frideric Handel. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Magnificat in G minor, R.610/611: 9. Largo - Andante - Allegro: Gloria Patria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Magnificat in G minor, R.610/611: 9. Largo - Andante - Allegro: Gloria Patria BPM
The tempo marking of Magnificat in G minor, R.610/611: 9. Largo - Andante - Allegro: Gloria Patria by Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Magnificat in G minor, R.610/611: 9. Largo - Andante - Allegro: Gloria Patria Key
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, CPE: Magnificat in D Minor, Wq. 215: IX. Sicut erat | Carl Philipp Emanuel Bach, Geraint Jones, Geraint Jones Singers, Geraint Jones Orchestra | D Major | 3 | 10B | 87 BPM | |
 | Trumpet Concerto in A: 4. Allegro | Georg Philipp Telemann, Gheorghe Zamfir, English Chamber Orchestra, James Judd | G Minor | 2 | 6A | 83 BPM | |
 | Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | |
 | Ave Regina Caelorum: II. Gaude Virgo | Antonio Caldara, Alex Potter, La Festa Musicale | F♯ Minor | 3 | 11A | 131 BPM | |
 | Laudate pueri in G Major, RV 601 "Salmo 112": VIII. Sicut erat in principio (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 1 | 3B | 93 BPM | |
 | Misatango, Misa a Buenos Aires: XIII. Benedictus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | G Major | 2 | 9B | 100 BPM | |
 | Stabat Mater: No. 17, Fac me cruce custodiri. Largo (Alto Solo) | Alessandro Scarlatti, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini | B Minor | 0 | 10A | 85 BPM | |
 | Sonata in A Major, No. 6: I. Grave | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | E♭ Major | 1 | 5B | 137 BPM | |
 | When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | |
 | Fauré: Requiem, Op. 48: VII. In Paradisum | Gabriel Fauré, Choir of King's College, Cambridge, Stephen Cleobury, English Chamber Orchestra | D Major | 0 | 10B | 118 BPM |
- ISRC
- NLA507801944
- Label
- L-M Records/RCA Records