"Slavonic Dances, Op. 72, B. 147: No. 5, Spacírka" by Antonín Dvořák, George Szell, Cleveland Orchestra was released on 1963. The duration of Slavonic Dances, Op. 72, B. 147: No. 5, Spacírka is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Slavonic Dances, Op. 72, B. 147: No. 5, Spacírka's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 16 in Dvorák: Slavonic Dances, Op. 46 & 72 by Antonín Dvořák, George Szell. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Slavonic Dances, Op. 72, B. 147: No. 5, Spacírka's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Slavonic Dances, Op. 72, B. 147: No. 5, Spacírka by Antonín Dvořák, George Szell, Cleveland Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
Expectation | Herold Kittler, Nikolai Sergeyev, Отдельный показательный оркестр Министерства обороны СССР | B♭ Minor | 2 | 3A | 104 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): IV. Chanson du toréador | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 1 | 7B | 109 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
La Bayadere, Act II: 35. "Entrance and Variation - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè | B Minor | 0 | 10A | 129 BPM | ||
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM |
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