Leo Slezak, Heinrich Schacker's 'Ständchen' came out on October 1, 2006. The duration of Ständchen is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Ständchen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Leo Slezak singt" album is number 16 out of 35. Ständchen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ständchen by Leo Slezak, Heinrich Schacker to be Lento (slowly) because the track has a tempo of 53 BPM, a half-time of 26BPM, and a double-time of 106 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Part II: A voi tutti salute! (Alfio, Chorus, Turiddu, Lola, Women) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 1 | 8B | 61 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Morike Lieder: No. 12. Verborgenheit | Hugo Wolf, Leo Slezak, Studio pianist | E Major | 1 | 12B | 172 BPM | ||
Rigoletto: Ach, wie so trugerish (Herzog) | Giuseppe Verdi, Leo Slezak, Studio Orchestra | F♯ Major | 1 | 2B | 171 BPM | ||
Herbstmanover: Auf der Heide bluh'n die letzten Rosen | Robert Stolz, Jupp Hussels, Leo Slezak, Studio Orchestra, Walter Schütze | E Major | 1 | 12B | 57 BPM | ||
The Gypsy Princess (Die Csárdásfürstin): "Joj, Mamam" | Emmerich Kálmán, Willy Hofmann, Benno Kusche, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | C Major | 3 | 8B | 122 BPM | ||
Adriana Lecouvreur Act I, Scene 5: La dolcissima effigie | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Gai lon la, gai le rosier (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) | Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme | F Major | 2 | 7B | 109 BPM | ||
Die Zauberflöte, K. 620: Bildnisarie (Recorded 1909) | Wolfgang Amadeus Mozart, Leo Slezak | C Major | 2 | 8B | 85 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM |
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